August Fest Jam Camps

2026 Bluegrass & Old-Time Jam Camp
August 4-6, 2026

Attention All Bluegrass and Old-Time Players! 

This year we will again feature both bluegrass and old-time music instructional camps in advance of the festival.

This is your chance to take your playing to the next level and learn how to play with others in an ensemble setting!

Join our all star instructor lineup for Bluegrass & Old-Time Instructional Camp (also known as Jam Camp). Bring your bass, guitar, mandolin, banjo, or fiddle to this fun, intensive event and get more out of your playing!

This year, bluegrass ambassadors, Special Consensus will be the instructors of Bluegrass Jam Camp!

The Old-Time Jam Camp will be led by The Horsenecks!

Age: 12–99. Students should have facility with their instruments.

Camps Begin: Tuesday, August 4 at 7:00 p.m.

Cost: $130 until June 30  ($160: July 1 – July 31)

Registration Deadline: July 31st

What to Expect: Classes and breakout sessions covering work in instrument groups (all divided into the 5 standard bluegrass/old-time instruments: guitar, banjo, bass, fiddle and mandolin), ensembles, seminars on lead and harmony singing, music theory, song arrangement, jam etiquette, and more.

The camp will close out with all students performing their recitals on the Main Stage at 5pm on Thursday, August 6.

Camping Info: If you want to camp at El Rancho Mañana during the Jam Camp, you need to reserve your site directly with ERM for Tuesday and Wednesday. For rates & information, visit El Rancho Mañana’s website

Faculty

The Horsenecks

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The Horsenecks are Gabrielle Macrae and Barry Southern. Based in Astoria, Oregon, they are two multi-instrumentalists who have come together from traditional music backgrounds and found a sound that weaves through layers of influence that include early Appalachian fiddle and banjo music, classic country, early bluegrass and original folk.

Gabrielle's fiddle style is the result of being raised in the Old Time music hotbed of Portland, OR and being exposed to the fiddle traditions of the Southeast US through years of traveling to festivals and learning from some of the greatest players in the genre. She gained notoriety as a clawhammer banjo player after releasing the album "Old Sledge" with The Macrae Sisters in 2009, which became one of the iconic Old Time albums of its generation. Her fiddling takes inspiration from the deep traditions of her adopted home in North Carolina, and her original home in Oregon, studying under master fiddlers Trevor Stuart and Stephen "Sammy" Lind. Gabrielle and Barry met at a festival in 2012 and immediately started making music together. Now deep in the world of songwriting, they bring together their background in traditional music and modern influences across many genres to create a catalog of original songs and fiddle tunes that speak to their place in the evolving story of traditional music. Barry’s banjo and guitar playing range from thrilling and high-octane to moody and captivating, and his versatility shines whether flatpicking, playing clawhammer, or driving three-finger banjo. Barry has been consistently active in his hometown of Liverpool’s music scene for over 20 years, playing lead guitar with cult heroes Tramp Attack and in the UK Old Time and Bluegrass scene, playing with the UK's most popular bluegrass party band, The Loose Moose Stringband, and many other groups. Together, they create a distinctive sound, their fiery fiddle and banjo duets, powerful harmony singing and songwriting front and center, earning them a place among the leading interpreters of Old Time music today. They now live in Astoria, Oregon with their daughter, their garden, and the rain.

Special Consensus

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Special Consensus’ sound is grounded in a deep appreciation and understanding of bluegrass music, incorporating both the drive and harmonies of the traditional sound with the more contemporary sounds and repertoire of today.

With the foundation of Greg Cahill’s unique banjo playing style and the vocal prowess of the 2023 and 2025 IBMA Male Vocalist of the Year Greg Blake (guitar), Dan Eubanks (bass) and Brian McCarty (mandolin), these musicians effortlessly support each other and consistently maintain their bluegrass center whether they’re playing a jazz-tinged instrumental or a song from any of their award-winning recordings.

These four talented vocalists and instrumentalists follow their creative desires without straying too far from their roots.

Camping Pass Pricing

Camping Pass Prices are determined by the day you Arrive at the festival.

Day Parking Pricing & Policies

DAY ATTENDANCE POLICIES

  • Cars, trucks, and vans with people attending the Festival for a single day pay for parking in the Day Parking lot.
  • There is no limit to the number of people who may arrive in a single vehicle (commercial buses or vans excluded).
  • Parking passes are sold by the day. Purchase for the day you intend to go to the festival.
  • You may not use a Parking Pass from any day but the day it was purchased for.
  • Vehicles must be removed by 12:00 midnight, or be subject to tagging and/or towing.
  • Everyone age 13 and over will be required wear a wristband at all times on the Festival grounds for the day you are there. 
  • Each person arriving in a vehicle being left in Day Parking will receive a wristband indicating they are at the Festival for that day.
  • You may leave and come back the same day and not pay an additional parking fee as long as at least one person in the vehicle has a wristband for that day. Everyone in the vehicle will receive a wristband upon re-checking in.
  • If you come back a different day, you will need to pay for an additional day of parking, and all passengers in the vehicle will get wristbands for the new day.
  • Camping is not allowed in the Day Parking area. 
  • Access to the Campgrounds is not allowed without a Camping Pass. 

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Showman & Coole

Through twenty-five years and thousands of shows together in bands such as The Foggy Hogtown Boys and The Lonesome Ace Stringband, John Showman and Chris Coole have developed a deep and instinctual musical bond. Their music lurks in a truly unique space that is somewhere on the outskirts of old-time, bluegrass, and folk. The songs of John Hartford, Hank Williams, Dock Boggs, and The Band share space with the fiddle tunes of Eck Robertson and Ed Haley. The duo’s original songs and tunes take in all these vistas and paint something both personal and timely. 

They have performed across North America and Europe at festivals such as Merlefest, Rockygrass, Winnipeg Folk Festival, Mariposa, Wintergrass, Gooikroots, and The John Hartford Memorial Festival. In 2022, the duo released two albums; “ Afield” a collection of old-time fiddle tunes, and  “Much Further Out than Inevitable – A Tribute to Some Music of John Hartford.” 

“John Showman has made his mark as “one of the very best and most influential fiddle players in Canada” (Steve Pritchard, CIUT 89.5 FM).

“Renowned for his clawhammer banjo picking, Coole now establishes himself as a gripping songwriter.”
(Roddy Campbell, Penguin Eggs Magazine)

Po’ Ramblin’ Boys

In 10 years as a band, The Po’ Ramblin’ Boys have covered a lot of miles. Their love of bluegrass — playing it, sharing it, growing it — has been the fuel for their remarkable journey through every corner of America and into the hearts of fans drawn to their hard-charging, true-blue sound. “We live what we play and sing about,” says bandleader C.J. Lewandowski.

Indeed, the band has weathered their fair share of the highs and lows that bluegrass songs are known for (except for the murders, of course). They’ve been road-weary, longing for home. They’ve felt the heartbreak of band members leaving and embraced the joy of welcoming new ones. They’ve worked hard to see their dreams come true, playing on some of music’s most celebrated stages. And they’ve been nominated for a Grammy for Best Bluegrass Album (2019’s Toil, Tears & Trouble) and for the International Bluegrass Music Association’s Entertainer of the Year award.

Amid all their travels, The Po’ Ramblin’ Boys have seen every nook and cranny of the country, met people from all walks of life, and kept a keen eye toward the truth, which rings out loud and clear in the songs they write. “Wanderers Like Me,” the title track from their most recent album and the band’s first No. 1 song on the Bluegrass Unlimited chart, shoots straight from the heart: “Wanderers like me don’t settle down for no one / don’t mind being lonesome, chasing dreams is all I ever need.”

Lately, they’ve been chasing their dreams in a new configuration, one that expands the band’s age span and geographical roots. Guitarist John Gooding from California and fiddle player Max Silverstein from “the great bluegrass state of Maine,” as the band likes to say during onstage introductions, are the newest additions, both in their 20s. They join Lewandowski on mandolin, Jereme Brown on banjo, and Jasper Lorentzen on bass, relative elders in their 30s.

The Po’ Ramblin’ Boys have always been known for barreling bluegrass forward, and as they move into their second decade as a band, they’re maintaining that momentum, both onstage and in the studio. 

T.H.U.G.

The Two Harbors Ukulele Group, affectionately known as T.H.U.G., was formed by Al Anderson in 2010. It has grown from five members to a performance group of sixteen and features soprano, concert, tenor, baritone and bass ukuleles, backed up by harmonica, melodica, drums and horns. The group plays a wide variety of music from 1920’s classics to ’60’s rock and roll to country music…yes, even some Frank Zappa music. Our group has played throughout Minnesota from Lanesboro to Grand Portage and will play almost 50 performances in 2023. We also host the Silver Creek International Ukulele Carnival in Two Harbors which is attended by over 300 ukulele players from over fifteen states and three provinces.

 

 

The Gated Community

The Gated Community is an Americana band with a nearly twenty year history. Formed in 2006 in Minneapolis’s storied West Bank neighborhood, the band is known for its gripping original songs, beautiful vocal harmonies, and multiple lead singers. Led by South Asian American singer/songwriter Sumanth Gopinath (aka Sonny), the band’s music is eclectic in style, encompassing country, folk, bluegrass, and rock. Born in Chicago and raised in Louisiana, Gopinath relocated to the Twin Cities in 2005, after stints in Texas and Connecticut. Current members have been in the band for a decade or more. Everyone in the band sings lead and plays multiple instruments. The band just released their sixth album, available on Bandcamp and all of the main streaming platforms. It was recently included in the Star-Tribune’s list of top 10 albums from Minnesota in 2025 thus far. 

Double Down Daredevils

The Double Down Daredevils are a 6-piece Bluegrass/Americana band that has been entertaining audiences around the region for 10 years now. 

The Daredevils put on a high-energy show that will have you tapping your feet, and leave you wanting more. They feature amazing harmonies on nearly every song from traditional bluegrass to a large and growing list of originals!

Uncle Muskrat

Uncle Muskrat is a five-piece string band from Minneapolis, MN. Through traditional bluegrass instrumentation and lush vocal harmonies, they put a unique modern spin on the sounds of the old, weird American folk songbook. With influences ranging from Dock Boggs to John Hartford to Billy Strings and beyond, their live performances across the upper midwest take audiences on a journey from the quiet of a mountain hollow through the swirling energy of the cosmic expanse with many familiar stops along the way. 

Praised for their musicianship, respect for tradition, and ability to stretch the boundaries of traditional acoustic music, Uncle Muskrat delivers what your muskrat’s uncle never could!

Last Pick’d String Band

The band met at the Homestead Pickin’ Parlor “Beginners” bluegrass jam in Richfield, MN, directed by Gene Walton. That wasn’t enough, so we kept adding more jams to the calendar! Our breakout show as a band was in February 2018 and we’ve been refining our craft as a group ever since.

Our set list selections start with deep roots in traditional bluegrass, flavored with folk, country, and Americana. Everyone in the band sings, creating great harmonies and tasty sounds that appeal to a wide audience.

PA Management with Aaron Niehus

The PA is the connection between you as a performer and the audience. It is critical that you have a solid understanding of how to make the most effective use of all the technology available to you. This workshop will be in 3 segments. 11 am will be setting up the PA  then at 11:30 learn to work with the single Mic  Everyone is welcome. Draw bands are highly encouraged to come.  At noon Aaron will shift to PA Management

Song Analysis with Tim Stafford & Phil Nusbaum

Three songwriters will each present an original song.  Tim and Phil then will offer thoughts and advice on structure and presentation.  Phil Nusbaum will offer thoughts on what broadcasters are looking for when you seek to get your songs played on the air. You do not have to be a songwriter to attend or benefit from these perspectives. Everyone is welcome!

Stagecraft, The Art of Putting on a Show

With Brent Fuqua and Becky Schlegel These two veteran performers go beyond the setlist to discuss ways you can take your next show to a new level. Entertain your audiences, have more fun and get more bookings!

Stagecraft will be at noon on Saturday in Studio 2.  Q&A is a big part of these Panels so bring your questions!

Booking and Promoting Your Band

With Ellen Stanley, Katryn Conlin and Tom Peschges

This panel promises to be a lively discussion of how to build an audience, and book better gigs!  We will cover topics like, Websites, EPK’s, Booking emails, social media strategies and more.  As with all of our panel discussions, please bring your questions!